Richemundi
Cantos
I
By wroth,
up-planted
A dangle-bangle root, telephon'd accusation
Near-twittering,
blamed for breathless
A
collusion!
A
treachery!
A
sentence! – deposit lost, skin marked poison
Like
this name, the reputation of Orestes
Marked
with slather splatter light of galena.
The
real poison is on the name.
Dare it be utter'd, damnably so, infernal, not exotic
But
the periplum name changed.
Avast:
(as to announce a change in jargon) : let us
Talk
solely on this matter of tide
And
nine months solitary slammer, listing
And
more wroth twixt the agonies
This head
pounding wall, this bottle tipped back, many
That
lined the brick walls.
Where introductions exhaust themselves
by the necessity of the spent pen,
a broken stylus nib
II
Whisked
in & forced out by a trident of lies.
The
mendacious fear no falling fruit, alight & squashed
The
garden path, the chariot wheel, her war.
Beware, I
said to myself later, too late, of what happens
From the
shadows behind the shields!
You will
not see her eyes, but you will be encumbered by those
Her
gaze has stirred into motion, the same eyes that
--conscripted
those into her legion.
Where the scene is set upon the
afflicted,
The burning brand affixed indelibly
upon the innocent
III
Let there
be end. A word of lux was of Genesis and
Be it in parallel case & without reason as stipple'd sense
A nasty
word ends all ties.
A
word shatters a monument.
A
phrase cauterizes against possibility
But eyes
flashed in drunk prophetic wrath utters itself
With
hoarse imprecision
To plough
the sea.
To plough
me.
--Stick
the prick for the prick to stick
--Prick
the stick for the stick to prick.
--The
SEND buttons are flashing double, a tracer of light,
A slip of
the digit
A knot
– omphalos of light, not desir
Ruin is
deployed, and its cost is mounted double interest donkey
A pound
of flesh in saddlebag.
With
fire he drank
With
fire brought to the people
With
fire in his organs
He
deployed
Ruin pecks
the prick to stick the stick a prick of a stickly prick.
A prickly
stick pricks to the sticks,
And a
line forms a square in the social common
A
mass a pack a bloc a blob
Bloodletting
eyes for sword blood to flow full drawn
The
saboteurs take the stage / the jongleurs take the port.
Ploughing
at sea.
As the afflicted brings finale with an
electronic dispatch
Construed as a threat, but only the
catharsis of his desire,
A desire for full closure as
disclosure of dead sentiment.
IV
Nauticaca
If roundabout
the fore and aft, the electric vessel could sink
Before
port reception
But no
As I said
dot dot dot
And she
split the mizzen of the mind.
V
Through
the arch, he was presented
Alongside
the floggers
The
chance dice tossed for garments
Finances
a cracked egg even under
The fat hen's feathery fat body of warm prudence.
The cock
will crow,
And
with her printout
Ecce
Machina.
Another
dipped a hand, not so much a gesture of assistance,
But soon
soiled.
Pull
the rope around him now.
Pull
the knot around him now
Trap
the crying minotaur in a concrete hedge labyrinth
And he wasn't even eastern.
VI
"You have been accused of the following:
(one)
Having no voice at a distance at the oddest hours,
(two)
entering the ruin of the false oracle without the billet
(three)
failing the faith course en masse w/o parachute pants.
(four)
infesting your own dome and my home of the gnome
She was
experiencing something suddenly medical
Of
this, I was sure
Or
vengeance has its bite, and I bathe in venom or slick-sickly sea-salt
Grind it
into the skin!—the only clear path to the bone,
The
only entranceway.
I nail my
own portico with weather-stripping of a kind
Because the storm is about to start, and I've front row seats worn out bottom pants.
The
pseudo papa telephones – berates w/o proof
Or
posture for the audience on the other line
By wroth again, confused! Stultifera navis and the stultifying naïve.
Shall I appeal to the lord of the law as the other apostolic anodyner's clubs do,
-OR-
Shall I
just clutch this bottle and wait out her storm, her suddenly medical storm?
Waiting
is no choice, and the only choice.
Who to
trust and who to bleed—questions for later.
© Dr. Kane X. Faucher
Assistant
Professor - Media, Information and Technoculture (MIT)
Faculty of
Information and Media Studies
The University of
Western Ontario
Website: http://kanexfaucher.weebly.com/